![]() ![]() However, it does retain the fast looping of this small sequence of notes, which forms the backbone of the song, while making it so recognizable.Īll that being said, a more deliberate change was made concerning the tone. In a game with larger areas, this would probably have been less of a problem. This is probably due to the nature of the song being looped, and the fact that the song is started immediately once you enter a new sound trigger zone. The track is also notably missing the buildup that I love so much from the original track. When you are playing a game you can often get tasked with many fast-paced, complex tasks. It is much easier for your brain to process the less complex “ East District 439” than the more complex “ Gohan & Icarus” while battling an onslaught of foes. The problem with more complex tracks is that human brain can only process so much information. Nowadays I often feel that many games are dominated by generic orchestral tracks instead of finding their own sonic identity. But once I graduated to more complex consoles with their greater musical capabilities, I noticed that the catchiness was usually nowhere to be found. I grew up playing GBA games, and humming the tones through the day even when I was nowhere near the game itself. That being said, I have always felt that more simple, catchy tracks in video games are the way to go. This is mostly because of the constraints of the GBA itself and is most likely less of a choice of the music director and more of a constraint. That is to say that there are not as many overlaid tracks or instruments vying for your attention. ![]() Most likely the first thing you’ll notice is that the song is notably simpler. Video Game: East District 439Īnd now East District 439, repurposed for the GBA. If I had one complaint about this song, it would be that it ends so abruptly. The next large transition is around the 1:25 mark, where a feeling of playfulness and merriment is elicited through the sprinkling of a few notes, which slowly fades into the background. This then loops back into the build up from the beginning of the song. ![]() Personally, I feel this section is a little jarring, although it is by far not one of the more oddly juxtaposed arrangements in the DBZ OST (I present “Droids vs. Amidst this section is some of the hallmark heavily synthesized electric guitar, which is featured in many of the tracks, including the opening theme. At around the :30 mark the track takes a darker turn, albeit temporarily. The slow build up of a small loop of notes into something that becomes so fast that it forms a completely different sound is so satisfying to me. This track has one of my favorite intros of any song ever. First is the original track: Gohan & Icarus. ![]()
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